Throughout history, unity starts on the dancefloor. From ancient tribal cultures to neon night clubs, beats bring bodies together. Once grinding and grooving in unison, the movement generates friction, sparks, and light. That might just be the purest form of energy on the planet. The Motet harness such energy on their ninth full-length, Death or Devotion. In fact, the Denver septet—Dave Watts [drums], Joey Porter [keys], Garrett Sayers [bass], Ryan Jalbert [guitar], Lyle Divinsky [vocals], Drew Sayers [sax], and Parris Fleming [trumpet]—encode a message in their energetic mélange of boisterous badass funk, swaggering soul, and thought-provoking pop.
In the process, they challenge convention and arrive with a dynamic, diverse, and definitive statement.
“The essence is always going to be the groove, but we wanted to expand the idea of what a funk album could be,” says Lyle. “Of course, you want a driving backbeat. However, with the division that’s going on in this country and the world, I think it’s every artist’s responsibility to create a conversation. That conversation doesn’t have to be political either. It can be about love or an introspective journey. I think the commentary should be on what it’s like to be alive today. By drawing on funk, we create a fun, palatable musical vehicle for the message to go down. Our goal is for you to recognize we’re all dancing on the same dance floor—even though our steps may look a little different.”
Death or Devotion earmarks an important point in the band’s own journey. Since emerging in 1998, the boys have cooked up eight full-length albums and entranced countless crowds. 2016’s Totem saw them welcome Lyle behind the mic and Drew on sax. Shortly after, they kicked off what has become an annual tradition by selling out the legendary Red Rocks Amphitheater for the first time. “It was my six-month anniversary and first show for a hometown crowd,” recalls Lyle. “I’ve got 10,000 people looking at me like, ‘Who the hell is that?’,” he laughs.
That night would be chronicled on the fan favorite Live at Red Rocks. In the meantime, the group maintained a prolific pace of 100 shows per year in support of Totem. Along the way, The Motet started recording Death or Devotion during intermittent sessions at Scanhope Sound in 2017.
For the first time, Lyle, Drew, and Parris (who joined in 2018) worked on a Motet record together from start-to-finish.
“On Totem, the train was already moving, and I was just a train hopper,” says Lyle.
The first single “That Dream” showcases the myriad of musical flavors from all seven members. Clean palm-muted guitars bristle against a swaggering beat as the horns enliven each verse, while a vocal call-and-response relays a head-spinning tale.
Elsewhere, “Highly Compatible” hinges on an unshakable riff and raucous refrain upheld by sizzling sax. “It’s like that beautiful moment of falling in love where you recognize something as supremely real-life magic,” Lyle goes. “Harry Potter couldn’t conjure a better spell. It’s the magnetic nature of the chemistry. We captured that chemical recognition.”
From the infectious hooks of “Contagious” to the instrumental fireworks on “Speed of Light,” The Motet ultimately propose an important question at the heart of Death Or Devotion.
“What are you going to bring to yourself and the world?”, Lyle leaves off. “Are you going to bring death, or are you going to bring devotion? The choice is yours. When you listen to this record, I’d love for you to walk away feeling a little bit more connected, whether it be to yourself, to your friends, or to your community. Being able to drop all of the vision for a minute, be present, smile, and dance reminds us we’re all going through this together.”
The funk, jazz, soul seven-piece has continually provided a musical escape for listeners over the course of their 20 year, 9-album career, boasting solid grooves that compel all who hear them to dance! From ancient tribal cultures to neon night clubs, beats bring bodies together, and The Motet’s rhythms are no different. Their 2019 performance was in support of their Death or Devotion release featuring hits “Highly Compatible” and “Supernova,” making for an explosive night of funky jam goodness.
Run Time: Approx. 96 Minutes