The curious thing about being a fan of Brasshouse? You’re pretty much talking about being into one solitary but extremely unforgettable band: the amusingly monikered Too Many Zooz.
The musical style was “branded” by drummer King of Sludge, who recognized that there was no worthy existing classification for the New York trio, whose other two members are the equally unclassifiable Leo P. (saxophone) and Matt Doe (trumpet).
“Brasshouse is a high energy musical conversation,” Matt insists. “Though I honestly don’t think there is a good way to describe it in words. It’s about many different feelings and sounds and emotions.”
Or as KOS so decisively puts it, “I don’t really care about what’s happening in music - I just make art that I enjoy making.”
It’s exactly this indifference to convention and trend that has garnered Too Many Zooz a fanbase that KOS describes as “wide-ranging and fanatical.” One of those fans? In 2016, Beyonce asked them to perform with her at the Billboard Music Awards…and it’s quite possible they got just as much attention as did she.
After two years, a gazillion live performances and four EPs, their debut album Subway Gawdz (an unsubtle reference to their birth in the underground stations of NYC), was released to enthusiastic acclaim in 2016. Its sound was truly like nothing else, with inescapable grooves that take in dub, soul, funk and ska, utterly exhilarating horn blasts that shoot right up your spine, and, of course, equal doses of fun and attitude.
And right now, TMZ are riding higher than ever, surely poised for the leap into genuinely widespread international recognition that was likely inevitable since they first set foot in an NYC subway station. Indeed, following a deal with Ministry of Sound, their single “Warriors” racked up major play on Radio One (if you think you haven’t heard it, when you hear it, you’ll quickly realize you already have), followed by high-profile remixes from the likes of Armand Van Helden and KDA.
Then, UK sensation Jess Glynne penned lyrics and added vocals to morph the song into “So Real (Warriors),” which has been generating massive buzz while climbing the European charts. In the meanwhile, a live video for “Car Alarm” has furtively racked up more than 500K views in one week.
But surely signaling their mainstream “arrival”? A Canadian KFC commercial featured the band and their songs – so don’t be surprised if listening to their music suddenly makes you hungry.
Though they’ve also been up to more serious matters. Leo, in fact, was asked to play at the BBC Proms Charles Mingus tribute at a sold-out Royal Albert Hall in August 2017 – certainly no small honor.
Yet for all this, the forward plan for Too Many Zooz, is, as ever, constant touring, and 2019 sees the band continuing their never-ending journey from coast to coast and to all corners of the planet. The reason is simple: it’s their outrageous, electrifying live performances that continue to fuel the growth of their worldwide legion of fans.
“I don’t think there’s any recording that can do a live performance justice,” reckons Matt. “You’ll see people of all different colors, creeds, genders, ages, sexuality at our shows. I really can’t find a constant between them…besides liking our music – haha.”
But for everything that’s happened in the last couple of years, the trio aren’t actually all that surprised by their success.
“I always knew we had something special,” Leo enthuses. “Thousands of people everyday loved our music…and I knew it would just continue to spread.”
Teaming up in mid-2013, Too Many Zooz started busking together at various stations in the New York City subways in their self-defined genre – brass house; a one-of-a-kind concoction of jazz, Afro-Cuban rhymes, funk, EDM and house music. Their energetic brass-band sounds and signature style led them to go viral on YouTube and caught the attention of Beyonce, who enlisted them on her songs “Daddy Lessons” and “Formation.” Their 2018 performance is vibrant, filled with pulsing rhythms, that will leave you captivated from beginning to end.
Run Time: Approx. 87 Minutes